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I'm happy I'm happy I'm happy i ' m happy I'm happy I'm happy I'm happy I'm happy I'm happy I'm happy I'm happy I'm happy I'm happy I'm happy I'm happy I'm happy
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And now let us celebrate with the flag around his neck ....... at least for a while 'until the next race until the next challenge, until the next dream ..... because we like to dream about racing and we will not stop! ............. We are born with this dream and will continue to look for it .....
A big thank you to all the friends who were close
I love everything that has been,
all that is no longer,
the pain that I now regret,
the ancient and erroneous belief,
yesterday that the pain has left,
that they left happy
only because it was, flew
and today is already a another day.
Fernando Pessoa
become what we are is a transformation that has in it the taste of loss and renewal, like a tree that needs to lose its leaves to return to bloom.
A process that invokes the feeling of something inevitable: we miss each other, we do not see more reports and important people at times become a thing of beauty and other painful leaving deep scars.
Other times it happens to realize that some people are so anchored in our hearts by crossing distance and time and miraculously when we meet is how to be always together. Nothing has changed except for a few more wrinkles, and the burden of years.
changed a bit 'every day but sometimes time does not change the fact it transforms us into our authenticity, the time it makes us feel pain and joy in all that we have covering lived experiences of sweetness even more vibrant because it is deeply sad and yet lived.
Antoine Duhamel Iurilli
One of the biggest losses of the current art scene, is an increasingly abundant production of images without symbolism as well as content.
This lack of consistency and mystery, differs greatly from those forms of artistic representation in terms of strength and intensity had the As a flash of light that cuts the darkness of unconsciousness.
no coincidence that the ancient Greeks used the word "symballein " meaning attached to the root, the symbol then, was characterized as a unifying truth hidden among other more obvious.
For Latinos, however, the use of the word " tesserae, shows that the evolution of consciousness moves in a specific trajectory that starts from the darkness of ignorance and headed for the light of knowledge by small pieces of knowledge.
In both interpretations we can see that the evolutionary process of our conscience, is like a mosaic of patient where, thanks to a patient composition, we come to give mysterious meaning to our lives.
Throughout history, religion and psychology, have completed the task of protecting, preserving and explaining the realm of the symbolic and we have to understand that the language of primitive humanity's spiritual nature is symbolic, and that myth is the its origin: the word that accompanies the ritual gesture.
Humans think in words, but understand and integrate the symbols. If we compare symbols and beliefs is more than obvious that the symbols have a great opportunity to explore mental, with the unlimited association of ideas and emotions they may suggest.
The symbols have the power to free us from the conformity of ideas and ready-made images, increasingly drawn to the table, thanks to the aid of increasingly sophisticated techniques but unable to produce meaningful images that may harbor the slightest trace of spirit.
We are constantly bombarded with images that seem tired clones of themselves. Shapes and Signs sterile unlikely assemblages in inspiring visionary and much less likely to give rise to deep emotions, in part, at best, the cheap sentimentality that it is now increasingly available to everyone.
These sterile images have increasingly tended to conform to those that abound in fashion magazines and give life to the world of advertising. Faces and bodies serial all the same shape and texture more like objects rather than creatures of body and soul, so much so that sometimes it is even difficult to distinguish between a woman and a car body, between a person and one other, between a child and an adult, and even between an edible object and one that is not.
The philosopher Merleau Ponty argues that science manipulates things and gives up to dwell; the same fate seems to have touched the art world where technology has greatly influenced the way to perceive and represent a total disadvantage of the fulness of life, emotion and meaning.
Contrary to the works of our predecessors, where the representations were a force irruptive were strongly characterized by a sense of uniqueness, is cloaked in symbolism and hidden meanings, and we invited to submit more than the obvious.
Why, then, is a growing tendency to produce images of surface and discounted? Why are the images that surround us are increasingly deprived of that fundamental element that Roland Barthes would call " punctum ?
Why we stopped wanting art to serve the whole of man? Never deprived of its sanctity and is not a mere commercial product, bleached and disinfected deprived of any hint of real life, and ambition to the absolute?
Life is a succession of death and rebirth, but most importantly it is a great mystery, the art has previously attempted to Bring us back to this reality that has always been a significant source of distress for humanity, however, when art has ceased to create a communication, that is, to postpone to another and especially to touch our deepest parts, it has become impotent and unable to promote intimacy and conosenza.
She became an act for its own sake, with the highest priority to surprise, to throw dust in the eyes, or to produce a superficial aesthetic satisfaction, no matter any way to induce any reflection, without the risk of producing any existential change.
The ability to access the world of symbols requires a movement of introspection which enables the inner vision, the ' insight , only then you can contact our darker side, feeling overwhelmed, that make up the our inner treasure: our soul.
Rilke said that a work of art was born of necessity, but this need is often obscure, and makes itself felt through the pain of suffering through a narrow tunnel try to get to the surface by representation.
Art in the past served as a medium , a bridge between inside and outside, full of symbolism and art of our ancestors has always had this as a priority goal is to keep constant search for eternal image, capable of binding patterns of inner and outer reality, but above all to communicate on a psychic level deeper, the essence of our existence, torn between fear and the ' anguish arising from within the body and the nature and ambition of transcendence and absolute of our souls.
Human life is very little when the visionary is impoverished, and when the symbols have exhausted their power to stir the unconscious, we are forced to abandon them as happens today or gather up the challenge and the burden of changes and adapt to new realities.
In primitive societies when their spiritual values \u200b\u200bare exposed to the impact of civilization modern life of their members is deprived of its symbols, which are being replaced by the seduction of a comfortable and easy life without suffering. There is no wonder then if these companies collapse in a great sense of loss, if people end up losing the sense of their lives and where their social organization disintegrates in favor of a sad moral decay.
The same depressing trend is also visible to everyone in the arts, the drying up of feeling is always more tangible and more frequently we are witnessing a gradual promotion of superficiality, vulgarity, hypocrisy and a lack of qualified talent in that part of the deception and manipulation.
The repetition ad nauseam of safe formulas, has deprived all forms of expression of its vitality, making it empty and repetitive.
Perhaps it is too late, maybe you can still do our advice that gave the young poet Rilke when urged to look within themselves, perhaps we can still ask: What is the ' intimate reason that drives us to be the reason that our intimate expressive gesture? Perhaps it is still possible to turn off the light, out of boredom, we immerse ourselves in, reinventing and reinterpreting the power of symbols bringing the light of our current reality, perhaps it is still possible to create visions that more than one hundred thousand words, theories and dogmas are able to move and transform.
It 's a challenge that tests our ability to dig inside, but it's worth it because by the evocation and reinvocazione of our inner spiritual reality is can enable insights and perspectives on those issues that have always been of vital importance for the individual and society.
Rilke claimed that most of the experience is indescribable, intangible happen in a place where the word does not enter; would be a great asset for everyone if the so-called works of art could still be placed in this space to be able to accompany mysteriously over time than the low limit of our lives.
A. Duhamel Iurilli
- a shirt with the image of PAINTED Breakin dawn and a sentence from the book that I was commissioned 
- ROSE ... that smell of feet ... and already ... because they are made of socks! 
- a rascal of a T-shirt for 3 years and 1 / 2 that combines one after the other, logically, was painted by me ... and it is ironic to 100%! 
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